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Wikipedia describes a raga thus How does improvisation in indian ragas differ signifi. A raga is sometimes explained as melodic rule set that a musician works with, but according to dorottya fabian and others, this is now generally accepted among mu.
Western music has scales (major, minor, etc.) while eastern music primarily has a large number of raagas derived from some basic thaats However, ravi shankar had a significant influence on some jazz performers Both these groups represent sets of notes on which actual song
A raga is more like a set of rules as to how you progress though the mode than a melody in its own right
Certain notes are designated for emphasis or avoidance, and for being approached or left in a particular manner. In the north himalayan regions such as himachal pradesh, the music scholars such as 16th century mesakarna expanded this system to include eight descendants to each raga, thereby creating a system of eighty four. Javanese gamelan, at least, has two scales, though i don't know how they compare to raga or maqam as forms of improvisation. if i understand correctly, however, the scales aren't systematic in the way of maqam, raga, and european modes and scales, and each gamelan may be tuned uniquely. Students of carnatic classical music are taught mayamalavagowla (melakarta 15), aka the double harmonic major / gypsy major scale, as the default
The introductory exercises for voice and ear train. Interested to know how modern performers harmonize hindustani classical music Like, i heard a beautiful piano performance in raga shuddh sarang Mayamalavagowla is the first raga taught to students who learn south indian carnatic music
But i wonder what is the western scale used to represent this raga
Why did carnatic music system select. The chart below shows what relationships are used to arrive at the higher and lower shrutis for each note Different ragas use different shrutis for different notes, but within a raga, there is internal consistency and a logic to which set of shrutis is used (fascinating but complex subject that is a different discussion altogether). I have heard that ravi shankar once said that ragas are not jazz
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